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Competing To Render A Single Subject

The ear is met with soft blues music and scratching sounds. A single subject is being rendered by seventeen artists in a circle using paint, pencils, and pastels. Their subject, a dance instructor in workout gear looking upward, is perched on a small bench in the center.

Around her are artists, some focus on the model's upswept hair and strong features. Her body and limbs take the attention of another group, that renders them in strong strokes or soft shading. The concept of one painter from Crystal Lake is to imitate movement by superimposing watercolor images of the model's different poses across the canvas. Because she does mostly landscapes, she takes advantage of the group's weekly sessions to work on new techniques and figure drawing.

Most have the impression that art does not take practice, unlike music, according to her. She looks at her work and says she is satisfied with the outcome. As it is with all art, greatness is hit and misses and portraits are great depending on the connection it makes with the viewer.

Portraits are the primary art form of another female artist, who returned to the group two years ago after devoting two decades of her life to the business sector. She holds portraits above other painting modes. It is her job to take whatever expression the subject gives and turn it into a painting. Using what most would consider clashing color combinations of dark green, blue, yellow and white she is able to capture the regalness of the model.

The face is more than just colors to the artist. In addition, the artist takes into account the effect of lighting on tone, cool ones like blues and greens and warm ones like yellows and whites. She says she needs practice in these techniques perfected by Renoir. Most portrait artists use both live sittings and photographs in commission work. With a photograph, the patron saves time, but with a live sitting, the patron gains a portrait that more accurately reflects his personality. Recreating personality on canvas may be one of the most challenging things in art. People are so used to walls around them that they show their true selves only momentarily. Her goal goes beyond mimicking a photograph. She wants to depict what's inside the person, and her success is equal to a magnificent painting.

When a patron tells an artist what he wants, the artist must compromise his own leanings. Another trick is using vibrant colors to highlight the subject.

By: Fredvaldez

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