Edward Hopper is one of the most famous American artists who represent the Realism movement in their pictures.
Edward Hopper studied art in New York. In 1906-1907 he lived in Paris where he discovered the works of Courbet, Cezanne and Degas. Edward Hopper was very much influenced by them. Back in New York he became an illustrator and gradually departed from Impressionism. He also painted and although he had little popular success at the beginning. Later Edward Hopper became one of the most esteemed figures of American Realism. His works are in no way servile photographic representations of reality. Indeed, they are highly subjective, the solitude, anxiety and alienation of the twentieth century man are soberly rendered in paintings of the countryside (October on Cape Cod, 1946) and of people who seem unable or unwilling to communicate (Night-Hawks, 1942, A Room in New York, 1932 – opposite).
Like the French symbolist poets whose works he knew well Edward Hopper often established a correspondence between night or dusk, and the degradation of love. Yet there is always an intense source of light in his pictures and that makes them even more dramatic. Edward Hopper insisted that there was no social message in his work, but there is much more about it than purely anecdotal representations of the American way of life.
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