These four elements are a reflection upon the environments that the people who have adopted the form are surrounded by. By using not only stories and statements for graffiti and rapping but also performance techniques like break dancing and deejaying.
The hip hop world began in the Bronx in 1971. The founder of hip-hop was rapper and first break-beat deejay Kool Herc. Soon after, Grandmaster Flash invented scratching; spinning a record back and forth creating a scratching sound. These innovations made by Kool Herc, Grand Wizard Theodore, Grandmaster Flash, Afrika Bambaataa and other like- minded DJs of the era were the spearhead of an underground cultural movement that is now recognized as hip-hop.
Just like for graffiti artists, tagging walls wasn't about being self-consciously postmodern, for DJs, breaking wasn't some departure from the norms of soul music, for all for these innovators it was an accidental, off-hand discovery of a way to distinguish themselves in a very direct, self-contained, and controllable way. The ideas that form this expression were accidental, but one can show that this element of hip hop allows artists to possess control over a track, dismantling it by the seams symbolising destruction and rebellion. These symbols again reflect the hip hop cultures infatuation with violence and independence showing how Deejaying unintentionally constituted epistemological meaning and characteristic that are relevant to this culture.
Hip hop is the term for urban based creativity and expression of culture, the turntables enabled artists to be creative with musical sounds. The turntable is an instrument that gives artists control over mainstream music, constituting a sense of rebellion through scratching and distorting a track. Not only does djing give artists a sense of upheaval but also liberation and freedom.
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